More formal portraits, such as this of The Acheson Sisters, exhibited at the Royal Academy in 1902, were still painterly in clothing. Still, he took a little longer to ensure the sitters’ investment in those clothes 1907, Sargent officially closed the doors of his portrait studio, packed his watercolors and pochade, and went painting as he wanted to, across Europe and in the USA. His earlier watercolor sketches had already shown him to be a different artist; now the real John Singer Sargent painted without constraint.vertical
https://opensea.io/assets/matic/0x2953399124f0cbb46d2cbacd8a89cf0599974963/113765307981431829764847866996762575898717325666327047296442840895146380230661/
https://opensea.io/assets/matic/0x2953399124f0cbb46d2cbacd8a89cf0599974963/113765307981431829764847866996762575898717325666327047296442840895146380230661/
More formal portraits, such as this of The Acheson Sisters, exhibited at the Royal Academy in 1902, were still painterly in clothing. Still, he took a little longer to ensure the sitters’ investment in those clothes 1907, Sargent officially closed the doors of his portrait studio, packed his watercolors and pochade, and went painting as he wanted to, across Europe and in the USA. His earlier watercolor sketches had already shown him to be a different artist; now the real John Singer Sargent painted without constraint.vertical
https://opensea.io/assets/matic/0x2953399124f0cbb46d2cbacd8a89cf0599974963/113765307981431829764847866996762575898717325666327047296442840895146380230661/
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